Borrowed from Bond: The Abandoned Tomorrow Never Dies Stunt Used in Entrapment
In Kuala Lumpur, in mid-1996, Vic Armstrong stands beneath the Petronas Towers and looks up. He has a sequence in his head. Two figures —…
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When The Volume Stopped Working: How Star Wars Learned the Limits of StageCraft
StageCraft transformed television production when it arrived with The Mandalorian in 2019. Within four years it had become the most criticised tool in Hollywood. This…
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StageCraft: How ILM Built the Virtual Stage That Changed Production, Its Limits, and the Stages That Followed
ILM’s StageCraft is the realisation of a vision George Lucas had been articulating for years — a stage of the future in which the walls…
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Home | James Bond | Stunt Work
Live and Let Die Bus Chase: A Bond Girl Turned Accidental Stuntwoman & How to Rig a Top Deck to Slide Off a Double-Decker Bus
Parked among Caribbean palms a few yards from the sea, a repainted double-decker London Transport bus — out of place on the tropical coastline of…
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Character | Concept Art | Home | Puppetry and Make-up | VFX
Creating “Baby Yoda”: As the Opposite of Yoda, Grogu Shouldn’t Work. Instead He’s the Face of The Mandalorian — In More Ways Than One
When The Mandalorian premiered in 2019, it ended on an image that broke the internet: a wide-eyed green infant blinking up out of a floating…
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Home | Stunt Work | Stunt Work
Three Days at Jaws: How Laird Hamilton Brought Bond to the World’s Most Dangerous Wave
By the time Die Another Day went into production in 2002, James Bond had done almost everything. He had skied on snow — practically trademarked…
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Cars | Home | James Bond | Special Effects | Stunt Work
Timothy Dalton’s Aston Martin: The Making of the V8 Chase in The Living Daylights
On 5 October 1986, in Vienna, Timothy Dalton was introduced to the world as James Bond. He stood alongside Maryam d’Abo — his Bond girl,…
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Making Miniatures Look Massive: Looking Back At EEG’s Special Photographic Effects On ‘Blade Runner’
A combination of lighting and atmospheric effects, the right film stock, and a proprietary motion-controlled camera system called the “Ice-Box” gave Blade Runner’s miniatures and…
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Weaponized Elegance: Engineering the Goldfinger Aston Martin DB5
“Beautiful on the outside, vicious on the inside — that was already becoming part of the formula.” — Ken Adam, production designer, Goldfinger It was…
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DC | Home | Practical Effects | Stunt Work
Burton’s Batmobile: Inside the Creation of Batman’s Iconic Supercar
When the Burton Batmobile reappeared in 2023’s The Flash, it didn’t race through Gotham or fire its afterburners. It just sat in the Bat Cave…
